Developmental Editing
The Big-Picture Edit
Before we fix grammar or punctuation, the story has to be solid. No use cleaning up a scene that needs to be cut.
How does a developmental edit work?
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I go through your manuscript twice, leaving in-text comments throughout the document.
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I write up a 5–10 page editorial letter outlining the manuscript's strengths and weaknesses.
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We have a 60-minute call to discuss feedback and strategize revisions.

This three-step process is called an “editing round.” After the round, the author revises, but I don’t look over those revisions or edit the full manuscript again unless we do a second round. How many rounds are needed depends on the manuscript.
What do you look for in a developmental edit?
In a developmental edit, I’m checking to see if the structure of the book is solid. Think of it as making sure the foundation and walls of a house are solid before you start painting. Do the characters have complete arcs? Does the plot contain all the crucial elements of a story? Is there a meaningful theme? Do any scenes need to be developed? Is there too much telling instead of showing? Is there content that doesn't belong, or that does belong but is missing? All of this is commented on and addressed in a developmental edit.
What’s the difference between a developmental edit and a manuscript evaluation?
The manuscript evaluation is like a DIY developmental edit. All you get is the 10–20 page evaluation and a 60-minute follow-up call, and you then take the feedback and revise your work.
In a developmental edit, I leave comments all over the manuscript itself, highlighting examples, pointing out problems, and leaving suggestions. Sometimes I’ll shift around content as needed to improve the structure. I also provide an editorial letter outlining strengths and weaknesses, and we have a 60-minute call after to go over the feedback. It’s more hands-on and thorough than the evaluation.

Should I get a developmental edit?
A developmental edit is good for you IF
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you need detailed feedback on big-picture elements of your book
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you’re looking for a more hands-on approach than a manuscript evaluation
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you’re willing to put in the work to mine your message for gold
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your book is a genre I work with (check my genres)

Jacob Coldwell, Author
Adina has the unique skill of creating clarity with words. In developmental editing she is able to envision the end even before it’s realized. Without interfering with the author’s intent, she can structure cloudy ideas into organized ones to help make a book engaging to the audience.

Jason France, Author
Adina did an incredible job helping me through every step of the editing process. She educated, coached, and mentored me on so many things….and was patient and encouraging the whole time. She held me accountable, didn’t let me settle on “good enough,” and continuously challenged me to improve.
FAQs
Genre Check
I Work With
Nonfiction: memoir only
Fiction: sci-fi/fantasy, historical, mystery, literary, middle-grade
I Do Not Work With
Romance, horror, general nonfiction, heavy Christian content, or anything with excessive cursing or explicit material
Are we a fit?
